The Collision of Modern Horror: Carrie Meets Get Out in Netflix’s New Hit
With a reputation for keeping audiences on edge, Netflix’s latest 8-part horror miniseries Something Very Bad Is Going to Happen is poised to become one of the most talked-about releases in recent memory. The show expertly blends the psychological tension of Jordan Peele’s Get Out with the supernatural dread and social alienation central to Stephen King’s iconic Carrie. The result is a viewing experience that feels both eerily familiar and strikingly original, appealing to aficionados of both classic and contemporary horror.
What Sets ‘Something Very Bad Is Going to Happen’ Apart?
Rather than serving as a direct adaptation or relying on an existing franchise, the series forges its own path. At the core is Rachel, portrayed by Camila Morrone, who journeys with her partner to meet their family—a dynamic immediately reminiscent of Chris’s fateful visit in Get Out. Rachel quickly senses an unsettling atmosphere that escalates as she encounters dead animals and unexplainable occurrences, all deftly foreshadowing the terror that awaits.
The brilliance of the narrative lies in its ability to evoke that creeping anxiety audiences love: the feeling of being the only sane person trapped amongst monsters. The show’s ability to balance supernatural overtones with psychological realism is a hallmark of modern, prestige horror.
Echoes of Carrie: Supernatural Power, Alienation, and Trauma
Fans of Carrie will discover direct thematic parallels. Rachel’s sense of being ostracized and cornered is palpable, and as the series progresses, subtle hints of her possible supernatural abilities emerge. Like King’s tragic protagonist, Rachel is gradually pushed to her breaking point, leading to an explosive, violent climax that claims consequences for all involved. The series doesn’t shy away from showcasing how societal pressures, trauma, and fear of alienation can manifest in unpredictable—and destructive—ways.
Modern Social Commentary in Every Shadow
One of the defining characteristics of both Carrie and Get Out is their biting social commentary. While Get Out skewers the insidiousness of racism and Carrie explores the violence of bullying and repression, Something Very Bad Is Going to Happen dives deep into the weighty anxieties of modern relationships. It asks: how much of yourself are you willing to lose for a commitment? And when the external world feels hostile, who do you become?
A Perfect Prequel to the Upcoming Carrie Adaptation
With Mike Flanagan’s highly anticipated adaptation of Carrie on the horizon, Netflix’s new series serves as the ideal primer. It provides a contemporary twist on the coming-of-age horror template popularized by King’s classic, complete with immersive emotional storytelling and a focus on deeply personal trauma. Early reports suggest Flanagan’s version will remain more faithful to King’s original novel, perhaps even incorporating the innovative epistolary style, promising an intense and deeply human portrayal of rage and isolation. For viewers looking to revisit those themes ahead of its release, Something Very Bad Is Going to Happen is an essential viewing experience.
Cast, Creators, and What to Expect
The series boasts a stellar ensemble including Adam DiMarco, Gus Birney, Jeff Wilbusch, Karla Crome, Jennifer Jason Leigh, and Ted Levine. Created by Haley Z. Boston, with executive production by the Duffer Brothers, the show thrives on moody visuals and nerve-wracking pacing. The creative team’s background in boundary-pushing, character-centered storytelling brings a fresh, immersive perspective to the horror miniseries format.
In an era defined by elevated horror, Netflix’s Something Very Bad Is Going to Happen is an unmissable entry, offering a chilling reflection on identity, fear, and the monstrous undercurrents of everyday life.
