
Oscars Best Picture Race: Why ‘One Battle After Another’ Has Already Changed the Game
Hollywood’s Awards Season: More Than Just a Showdown
Every awards cycle ignites a fervor as critics, fans, and industry insiders try to predict which film will secure the Best Picture trophy at the Oscars. Rarely does a season unfold with such clarity as this one, where key players and visionary directors have staked their claims with cinematic tours de force. Recent developments, however, have set the tone for an early favorite, shaking up expectations for film buffs and Oscar strategists alike.
The Films That Defined the Race
This year’s prestigious competition was initially wide open. Sinners stormed out of the gates, quickly establishing itself as a critical darling with a record number of nominations. Hamnet captivated audiences on the festival circuit, its exceptional narrative and performances making it a consistent threat. Meanwhile, One Battle After Another, helmed by auteur Paul Thomas Anderson, rapidly built momentum after its New York Film Festival debut and upcoming holiday release. These films weren’t just entries—they were cultural phenomena, lighting up conversation threads and awards blogs in equal measure.
Shifting Momentum: BAFTA’s Decisive Influence
The annual ceremony of the British Academy of Film and Television Arts (BAFTA) is now viewed as an essential barometer for Oscar glory. As the Academy diversifies, BAFTA winners become telling indicators of global voting patterns. While British homegrown titles sometimes excel here, global blockbusters must also connect with transatlantic audiences. This balancing act played out as expected—in favor of Anderson’s film.
Sinners notched wins for Best Score, Original Screenplay, and a surprise Supporting Actress trophy for the magnetic Wunmi Mosaku, affirming the Academy’s fascination with British-Nigerian talent. Hamnet brought home Outstanding British Film alongside another Best Actress win for Jessie Buckley, yet never quite seized the narrative. Instead, One Battle After Another swept the night with six wins, dominating top categories and technical fields alike—Best Film, Director, Adapted Screenplay, Editing, Supporting Actor (Sean Penn), and Cinematography (over the highly praised work of Autumn Durald Arkapaw for Sinners).
The Anatomy of an Unstoppable Contender
One Battle After Another leans on more than prestige. Paul Thomas Anderson’s signature visual storytelling and nuanced adaptation (with novelist Thomas Pynchon co-writing) blend high cinematic technique with approachable emotion, drawing interest from both cinephiles and mainstream audiences. The cast, led by Leonardo DiCaprio and Sean Penn, delivers layered performances that have fueled critical acclaim and social media buzz. Technical mastery—visible in its editing rhythm and immersive cinematography—cements the film’s status as a front-runner not only in creative categories but also technical ones, where crafts departments often tip the scales.
Behind the scenes, its producers (including Anderson himself) have been credited for an Oscar campaign deftly tuned to the increasingly global electorate—key now that the Academy welcomes more international voters in a post-pandemic landscape.
Where Does This Leave the Other Nominees?
While Sinners set a historic record for nominations and Hamnet found box office love at home, their Oscar chances for the grand prize appear slim after the BAFTAs. Other technical favorites, like Frankenstein, scooped up below-the-line awards in design and makeup, further fragmenting the vote among the remaining contenders. With Anderson’s epic firmly ahead, American Academy subsets may still shape surprises in individual categories—like Screenplay or Acting—but the narrative for Best Picture has rarely felt more decisive mid-season.
Whether you’re tracking every precursor or just diving into the cinematic conversation, this year’s Best Picture race exemplifies how festival buzz, global outreach, and impeccable filmmaking all converge to rewrite the rules for Oscar glory—not just who wins, but how a victory feels earned, debated, and remembered in the digital age.



