
Why ‘Those Who Wish Me Dead’ Is Taylor Sheridan’s Most Overlooked Neo-Western Masterpiece
Taylor Sheridan: Shaping Modern Neo-Westerns
Taylor Sheridan has cemented his status as a trailblazer in the Neo-Western genre, breathing fresh life into the classic form with hits that stretch from big screen to television. While franchises like Yellowstone and its spin-offs dominate streaming charts and critical conversations, Sheridan’s work as a feature director has quietly set new standards for modern Western cinema. Among his tightly curated filmography, Those Who Wish Me Dead remains an underrated yet electrifying entry, blending traditional Western themes with high-stakes contemporary thrills.
Inside the Gritty World of Those Who Wish Me Dead
Based on Michael Koryta’s novel, Those Who Wish Me Dead instantly positions itself in the Sheridan canon with atmospheric storytelling and pulse-pounding action. Angelina Jolie, taking on the role of Hannah Faber—a stoic smokejumper—is thrust into a perilous chase as she protects a hunted boy, portrayed by Finn Little, from a pair of chilling assassins played by Nicholas Hoult and Aidan Gillen. The story finds its soul in the vast, unforgiving Montana wilderness, channeling the spirit of classic Western iconography while maintaining the immediacy and tension of a modern thriller.
This film is as much a survivalist nail-biter as it is a meditation on trauma and redemption. Sheridan uses his signature stripped-down style and razor-sharp dialogue to keep the tension taut. The result? A relentless blend of action and emotion that rarely lets the audience catch its breath, especially during sequences like the edge-of-your-seat battle between Jolie and Hoult’s characters, all while a raging inferno threatens to consume everything.
A Standout Ensemble Elevates the Stakes
It’s not just Jolie’s performance that drives the film. The supporting cast delivers gripping work—Jon Bernthal and Medina Senghore, as a deputy sheriff and his pregnant wife, provide the emotional nerve center as they are pulled into the deadly cat-and-mouse game. The chemistry and tension between cast members heighten the sense of danger lurking behind every pine tree and gust of smoke.
The Release Dilemma: How Timing Eclipsed a Modern Classic
Despite Sheridan’s pedigree and a powerhouse cast, Those Who Wish Me Dead struggled to find its audience upon release. Dropping during a time when theaters were just beginning to reopen, and with little marketing support, the film also arrived on streaming on the same day as its theatrical launch, dampening its box office impact. Competition was fierce, as buzzier releases like Mortal Kombat hit screens in the same window, causing Sheridan’s neo-Western to be largely overlooked.
Box office numbers reflected this unfortunate timing, with global earnings barely surpassing the film’s production budget—a stark contrast to the strong performances and critical credentials involved. Even among fans of Sheridan’s TV empire, the film seemed to slip into the background, overshadowed by the explosive popularity of his other projects.
Why Those Who Wish Me Dead Deserves Rediscovery
With its tight pacing, gritty atmosphere, and character-driven suspense, Those Who Wish Me Dead has all the makings of a modern cult classic. Sheridan’s mastery of the Neo-Western is on full display—modern dilemmas play out against timeless landscapes, dialogue crackles with intensity, and every set piece demands attention. For those who crave more after binge-watching Sheridan’s TV dramas, this film offers a potent, cinematic experience that echoes the best of the director’s work.
As streaming platforms reshape the way we discover films, Those Who Wish Me Dead is perfectly poised for a second life among both action aficionados and Western enthusiasts. It stands as a testament to Sheridan’s ability to bend genres, elevate performances, and mine raw, human drama from even the bleakest landscapes.



